![]() ![]() Then, in 2012, DP8 went 64-bit, added VST plug-in compatibility, and shortly afterwards became available for Windows for the first time. The last few whole-point releases of DP have tended to focus on developing different aspects of the application DP6, in 2008, introduced big user-interface and audio format changes, while DP7, in 2010, bundled lots of guitar effects plug-ins. MOTU have, of course, been a driving force in that transition, with their popular, well-regarded and ever-expanding range of audio interfaces. ![]() As such, DP has some claim to be amongst the most mature DAWs out there, one that’s ridden out tumultuous changes in computer architecture and operating systems and overseen the gradual march from a hardware/analogue to digital/virtual world. We’re talking about a time when MIDI was still quite new, Junos got traded in for DX7s, and tent-size T-shirts were all the rage. The roots of MOTU’s Digital Performer go back a staggering 30 years. Do the improvements in the latest version keep it bang up to date? MOTU’s sequencing software has been around longer than some SOS readers. The on-trend dark grey look is the default appearance for DP9. A typical view of DP in action, with a well-stocked Consolidated Window. ![]()
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